18. Iannis Xenakis’s Pithoprakta

After a brief introduction to music phenomenology, we present the outcome of a phenomenological investigation of Pithoprakta, encompassing comparatively detailed descriptions and hermeneutical interpretations of the work, including prominent musical features, sonorities, densities, and transformations of sound masses. In order to minimize presuppositions and promote unbiased listening, we did not study the score or research on Pithoprakta prior to the listening sessions. Subsequently, in a survey of the work, we summarize the macroform and possible emotional interpretations of the music, and include references to the printed score. In addition, we quote texts and statements by Xenakis in order to enable comparisons between our investigation and the composer’s intentions. References to selected research widen the perspective of the investigation by pointing out important aspects of Xenakis’s music and his personality.